Valparaiso University’s student body is shrinking and its dormitories are aging. But is selling the campus museum’s most famous artwork the right solution to the problem?

Edith Schloss’s memoir recalls a world of spacious, postindustrial studios filled with even bigger ideas about how to reform modern art.

The final installment in John Richardson’s mammoth biography reveals the artist’s fiendish control over his admirers.

When Lucian Freud painted Paul, she felt reduced. When Paul paints her subjects, they are exalted.

“The Painter and the Thief” is a dispatch from the space where a man’s life and his portrait intersect.

A pioneer of abstraction, the Swedish artist made mysterious, cosmic paintings her life’s work.

A new retrospective at the Met struggles against its claustrophobic setting, but ultimately triumphs.

For more than 60 years, Schneemann fought against the way women's art is often dismissed.

The artist's first New York solo show features images of toppled confederate monuments and police brutality.

Viewing Georgia O’Keeffe’s art and legend through her personal style.

A new documentary examines the director’s early life and painting career.

Why her painting of Emmett Till at the Whitney Biennial insults his memory.

How a new exhibition of Alice Neel's paintings, curated by Hilton Als, reflexively explores relationships and identity.

This year, Congress banned funding for oil paintings of public servants—keeping women and minorities underrepresented in government art.

Before the eighteenth century, most pictures didn’t have titles. The public gallery changed everything.

A new book collects images of women in poses from famous paintings

The impossible, perspective-fudging worlds of M. C. Escher and Salvador Dalí come to life in 'Monument Valley' and 'Back to Bed'

MoMA's new Matisse exhibition is the must-see museum show in New York this fall