John Steinbeck and Robert Capa's 1947 trip through Eastern Europe introduced America to Soviet life. Last year, two journalists retraced their steps.

Under President Rodrigo Duterte, thousands have died at the hands of police or the masked vigilantes who roam Manila's vast slums.

On a remote spit of land in the Bay of Bengal, hundreds of thousands of Rohingya Muslims are fighting for their lives.

Buried beneath the Great Plains lies a decommissioned Air Force control center that was once powerful enough to lay waste to the Soviet Union.

A look inside the massive immigration enforcement apparatus that Obama built up—and that Trump is now exploiting.

Roughly once a year, the border wall opens to allow a handful of immigrants to reunite with their families on the other side.

Six years after the floods, indigenous Canadians are still homeless.

After engineers unlocked vast oil reserves in North Dakota, a small town fielded its first football team in almost 30 years.

New military recruits train for battle against their powerful neighbor.

These photos offer a stark reminder that, 22 years after apartheid, the country is still defined by massive inequality and stark segregation.

The tanks rolled into Cizre last winter, and reduced it to rubble. This photographer captured the homes caught in the crossfire.

Last year, the Kremlin called for an increase in patriotic youth—children who would grow up to be soldiers—by sending them to camp.

When stockpiling guns is seen as both a hobby, and a necessity.

Mike Belleme traveled through the South asking people one question: “What is your greatest fear or concern?

For over a year, Lesbos, Greece has been the epicenter of the migrant crisis.

A photojournalist looks behind Asmara's fading Art Deco façade.

An Emirati shopping mall offers a glimpse into the world of Muslim fashion.

Men from around the world transform themselves as Legionnaires.

Photographer Aliza Eliazarov reclaims discarded food by reimagining it in the style of the 17th-century masters.

Ruth McDowall's subjects face away from the camera to protect them from repeat attacks and community stigma.