Karina Longworth’s book ‘Seduction’ dismantles the story of a playboy.

The new film conjures wonder in the face of grief and money troubles—despite its overly neat ending.

Alfonso Cuarón’s film magnificently portrays an overlooked life in 1970s Mexico City.

Two cases down under show how lower libel standards silence accusers and the press, while protecting the wealthy and powerful.

The app's increasing commercialization is further evidence that no simple joy is uncomplicated when it's on the internet.

Why is Hollywood so intent on using this period in British history as a blank canvas?

How the writer’s stories and her memoir fashion a self from the same, revisited outlines

“1983” imagines a terrifying alternate reality, but ignores the real dangers that Poland faces today.

Alan Rusbridger’s account of his time at The Guardian illustrates the possibilities and limits of journalism in the digital era.

William Kentridge’s new performance piece uses various media to tell the story of the unsung conscripts of World War One.

Tavi Gevinson talks authenticity, digital publishing, and the pervasive creep of the lifestyle brand.

The streaming service desperately wants to win a Best Picture Oscar. But its foray into costly, artistic films is about more than just respect.

Her new novel "Those Who Knew" explores the prejudices, fears, and desires that are bound up with political impulses.

A new film from the director of ‘The Lives of Others’ strives for epic effect as it traces an artist’s development through the twentieth century.

Steve McQueen's crime caper is really a vehicle to explore grief, gender, race, and loneliness.

Edward Gorey’s lifelong experiments in the absurd and unsettling