Barak Goodman's documentary about an act of American terrorism is sadly resonant.

It takes a whole society to create an atmosphere of fear: elites and collaborators, bystanders and victims alike.

Kristine Opolais and Jamie Barton glow in the Met’s new production of Antonín Dvorak’s opera.

A decade ago, few Americans were interested in the risks dissidents face. Trump has changed that.

A new show displays the work Aline Kominsky-Crumb and Robert Crumb have made over the decades of their partnership.

A new film, "I Am Not Your Negro," tracks the late writer’s attempt to document the martyrs of the Civil Rights Movement.

Why is Cat Marnell’s drug memoir so gripping?

The mysterious appeal of a really good shark movie.

Did a violin teacher from Plano, Texas solve the world's greatest classical music mystery?

Throughout history, junk psychology has served to reduce the powerful to human size.

How a show for kids captivated a new generation of young adults.

Matthew McConaughey's smooth talking gold hustler is interested in little more than the naked, unapologetic pursuit of massive wealth.

The sequel to the 1990s classic is the latest evidence of an ongoing obsession with that indulgent decade.

The stories in "Difficult Women" tackle the intimate realities of race and gender in America.

Why "Nineteen Eighty-Four" is not the book we need in the Trump era.