Amid diplomatic tensions, a great, troubled experiment in news faces pressure to close.

"The Mummy" and "It Comes at Night" reveal a more postmodern approach to the genre, at the expense of actual fright.

The Lily, a website for women readers produced by The Washington Post, raises new questions about a very popular media genre.

The uncommon ambition of "Unbreakable Kimmy Schmidt."

Catherine Lacey's novel ‘The Answers’ tells the story of a girlfriend experience.

The political reporter talks to TNR about rock music's most misunderstood genre.

Viewing Georgia O’Keeffe’s art and legend through her personal style.

Just in time for summer, her new solo album "Fake Sugar" is an '80s power-disco confection.

A searching personal story, ‘Hunger’ defies a culture of thinness.

"The Tale of Beren and Lúthien" expands on a central aspect of the author's mythology, while shedding light on his own life.

In a new story collection, "Men Without Women," the writer examines how his characters cope—or fail to—in the wake of loss.

Why adult women—and women’s media—should reconsider their cultural infatuation with teenage girls.

The poet was reserved and private in an age of confession. Now, a new biography tries to reveal her secrets.

"The End of Eddy" shows the pride and pain of people who feel left behind—for some very familiar reasons.

A new documentary pieces together long-lost footage from the past, giving new life to stories that had been forgotten.

The series finale had disappointed hopes, thwarted quests, and something like resolution.

Elisabeth Rosenthal's new book 'An American Sickness' traces the effects of profit in American health care.

Why debating the “feminist” stakes of a movie about American military ideology is a laughable prospect.