Melania Trump makes some interesting claims but sheds little light on Donald Trump in her memoir.

Despite its title, “Mourning a Breast” is not about grief—and, really, not even that much about breasts.

H.R. McMaster says Donald Trump wanted to “bomb the drugs” in Mexico.

Former Representative Adam Kinzinger came to Walz’s defense.

Pelosi had a brutal explanation for why she wanted Biden to drop out.

Lucy Grealy’s 1994 bestseller has become part of a larger story of literary friendship and the boundaries between artists and their work.

His memoir “Knife” answers violence with art, and explores the limits of the imagination.

Noem hedged hard when asked if she had actually met the North Korean leader.

The South Dakota governor falsely claimed she met Kim Jong Un.

New books from Leslie Jamison and Lyz Lenz exude the glow of hard-won independence.

For all the messiness of his music, his account of his life in Sonic Youth is conspicuously tidy.

Why memoirs of sickness and elusive diagnosis increasingly read like detective stories

In her journalism, Malcolm offered devastating portraits of artists, analysts, and frauds. She dreaded receiving the same treatment.

Finally, the Swedish Academy got it right.

CJ Hauser’s essay on an ill-fated love went viral. But there’s more than one way to see the story.

53 million Americans are caregivers to a family member. How can an experience so common so often remain in the shadows?

Ada Calhoun set out to complete her father’s abandoned biography of the poet. She ended up with a reflection on living with art.

Craig McNamara’s family did not talk about the Vietnam war. He spent his life asking questions about it.

“One Friday in April” is an attempt to write about suicide without the consolations of his signature style.

In her formally experimental series of autobiographies, Deborah Levy takes a rollicking, intimate journey through the challenges of motherhood and writing.