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The New Republic
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The New Republic
Music
November 12, 2012
David Hajdu
The Masterful Dub Techno of Andy Stott
November 3, 2012
David Hajdu
The Valuable Ridiculousness of “Gangnam Style”
October 31, 2012
Lydia DePillis
What John Mellencamp Doesn’t Understand About His Industry’s Future, or Past
October 23, 2012
David Hajdu
Where Woody Guthrie's Anti-Commercial Legacy has Lived On
October 15, 2012
David Hajdu
50 Years On, The Rolling Stones Prove They Can Still Put Out a Decent Song
October 8, 2012
David Hajdu
What Makes a Mandolinist MacArthur-worthy?
October 1, 2012
David Hajdu
A Jazz Composer Turns His Grief into Devotional Music
September 24, 2012
David Hajdu
Is Amanda Palmer Worth a Million Dollars?
September 13, 2012
David Hajdu
The Famous Door: Wussies and Pussies and Sinking Ships in Bob Dylan’s Latest
September 7, 2012
Sean Wilentz
Blood and the Ballad: Bob Dylan’s Macabre New Album
August 31, 2012
David Hajdu
Music of the RNC, Then and Now
August 23, 2012
Noreen Malone
Swift Boating: Why Do We Care if Taylor Swift Dates a Kennedy?
August 12, 2012
David Hajdu
Standing in the Rubble of New York’s Cocktail Life
August 5, 2012
David Hajdu
What Nicki Minaj Learned From Marilyn Monroe
August 1, 2012
Leon Wieseltier
A Saint in the City
Nobody tries harder, and less persuasively, to be an everyman than Bruce Springsteen does.
July 11, 2012
David Hajdu
The Surprising Queer Roots of the Blues
July 6, 2012
David Hajdu
The Insidious Legacy of the “Andy Griffith Show” Theme
June 25, 2012
David Hajdu
Lorenz Hart’s Street Talk and Usher’s Post-Verbal Pop
June 15, 2012
David Hajdu
A Creepy Father’s Day Song from the ‘Mad Men’ Era
May 28, 2012
Peter Green
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