From his early novels to his final work, “Silverview,” le Carré captured the pervasive sense of being watched.

In Kathy Wang’s spy thriller, navigating the pressures of the workplace is a lot like espionage.

The Harper’s publisher’s latest column, about a controversy at The New York Times, goes out of its way to use an ugly racial slur.

Le Carré’s thrillers promise us something today’s politics lacks: complexity and logic.

What do John Le Carré's classic espionage novels mean in the age of surveillance?