Grierson & Leitch dismantle 2016's terrible summer of sequels, blockbusters, and would-be tentpoles.

Werner Herzog's new documentary on the internet signals that it may be time for the director to get out of the way of his own films.

Based on a true story, this comedy from the director of ‘The Hangover’ isn’t daring enough to be truly outrageous.

In his new documentary, the director turns his attention to the wonders of the internet.

This good-hearted tale of a terrible singer sidesteps deeper issues of our fascination with bad art.

This Disney remake is better than it ought to be—but should it even have been made in the first place?

An interview with the film’s director and screenwriter about female ambition, Wall Street, and Hillary Clinton.

In the latest film from Ira Sachs, a rent dispute between well-meaning people exposes their inability to be decent to one another.

‘Bad Moms’ isn’t about motherhood, the experience—it’s about motherhood, the social clique.

With too many characters, and little to justify their existence, the DC Universe is an ever-expanding world of senseless, plotless mayhem.

Penny Lane's new documentary traces the life of quack doctor John Romulus Brinkley.

Communicating with the dead hasn't always been about male bonding.

Mike Birbiglia directs this comedy about members of an improv troupe on the verge of making it big.

While trifling, a bit meandering, and certainly a little repetitive, Woody Allen’s 46th film manages not to be a complete clunker.

Girl power in the age of the don’t-screw-it-up franchise reboot.

The Pixar formula may be a simple one, but Illumination Entertainment can’t seem to capture the same magic.