How "The Killing of a Sacred Deer" completes the Greek director's descent into self-parody

Strife within the feminist movement was used to discredit it. But now a new play is taking a harder look at the Second Wave.

Adapting to the new economy has made young people drastically more worried and dissatisfied than their parents' generation.

Eva Moskowitz's new memoir says little about her philosophy of education and a lot about her battles with critics.

Kenneth Branagh is far from perfect as Hercule Poirot. But this adaptation of Agatha Christie's beloved mystery novel has its sublime moments.

"At Home With Amy Sedaris" brings unexpected tenderness to the trope of the perky lifestyle guru.

Steven Pifer's book tells a story of deferred decision making and geopolitical collision.

John Haskell’s "The Complete Ballet: A Fictional Essay in Five Acts" breaks new ground in the practice of adaptation.

A sweeping new show is a limp defense of clothing design's place in the art world.

Why Margaret Atwood’s “Alias Grace” makes subversive television.

The end of "House of Cards" raises a troubling question: Do we have higher standards for TV politicians than for real ones?

Companies of all stripes have used legal means to prevent claims of abuse from going public. Here's how to put an end to that.

What made prehistoric hunter-gatherers give up freedom for civilization?

The chauvinistic gaming world has always been hostile to women. A new book looks at how it got that way.

Like "Bojack Horseman," the show looks directly at sadness in the brightest city in the country.

Chris Matthews's new biography of Bobby Kennedy revisits the promise of an inclusive populism.

The new Netflix show about serial killers is as much about the men in law enforcement as the men who murder.

Ai Weiwei's new documentary took two years and more than 200 people to make. Can it capture the plight of millions of refugees?