How corporations wrested creative control from writers and editors—to produce less interesting books.

He takes his place with Melville, Faulkner, and Twain in the pantheon.

The Passenger is an unusually loose, warm novel—full of theories and anecdotes, memories and stories.

Not Haruki Murakami, that’s for sure.

The only thing we know for sure is that the Swedish Academy won’t have Philip Roth to kick around anymore.

There might not be a better time to recognize the accomplishments of the master chronicler of American dread.

What happens when a selfie-addicted celebrity takes on the darkest of American masters