Andrew Marzoni

@andrewmarzoni

The symbolism in Brady Corbet’s movie is heavier-handed than a fistful of concrete and steel.

Luca Guadagnino makes William S. Burroughs’s novella a love story that is sordid, pathetic, affecting, and true.

Annie Baker’s first film gives her characters plentiful epiphanies and an unwillingness to change.

Bradley Cooper’s biopic never really captures Leonard Bernstein’s passion for music.

Sofia Coppola’s Elvis is an insecure jock, a rudderless pretty boy with more charisma than talent.

In Ruben Östlund’s satire, the amusements of the moneyed elite belie a foundation of violence, cowardice, and shame.