The Trouble With Netflix’s New Cold War Thriller
“1983” imagines a terrifying alternate reality, but ignores the real dangers that Poland faces today.
“1983” imagines a terrifying alternate reality, but ignores the real dangers that Poland faces today.
How Blair Foster’s documentary “The Clinton Affair” reassesses history in the wake of the MeToo movement
What lies beneath the sleek stylings of dystopian shows like "Homecoming"
The show’s focus on two captivating women makes its second season worth watching.
The show based on Shirley Jackson’s novel ultimately shies away from the book’s raw horror.
'Bodyguard' is an emotional rollercoaster of trauma and terror.
Matthew Weiner’s new show had the potential to reckon with the uses and abuses of the past.
Jonah Hill and Emma Stone star in a radical new Netflix series about madness, friendship, and the stories we tell ourselves to live.
The show's third season illuminates the hard work of living a better life.
The true crime mockumentary’s second season sharply depicts a world of intensive reputation management.
The Netflix show's new season is a darkly funny reckoning with grief.
How a frothy new Netflix movie reinvigorates the high-school rom-com genre
How the show’s new season skewers the book world
In each episode of Netflix's "I Am A Killer," a man on death row describes his crime. But for what purpose?
The show makes writing for a living look easy, as a faithful mentor guides its heroines through a glamorous world.
Hulu’s new series combines the worlds of Stephen King in one deadly, nostalgia-steeped nightmare.
Netflix's first Indian original series is a sprawling caper that bleeds into the mystical.
By following in the footsteps of Netflix, it could undermine what made the network great.
In her Netflix special, Hannah Gadsby quits the self-deprecating joke.
The show’s second season highlights inequalities among the wrestlers.