The climate crisis arrives suddenly and overwhelmingly in Christian Petzold’s seaside drama.

Christopher Nolan’s blockbuster captures the scientific triumphs and monstrous sins of the Manhattan Project.

Greta Gerwig’s movie attempts to combine the magic of Barbie Land with a critique of the patriarchy.

David Zaslav, whose Chris Licht hire butchered CNN, is vandalizing TCM, a beloved cultural institution.

The critics have weighed in. Now it’s your turn.

Tina Satter’s film “Reality” on HBO captures the cruelty of the surveillance state.

Paul Schrader’s portrait of an ex–white supremacist gang member is an unlikely feat of optimism.

Stories from the last strike can’t explain the current action. Nor should they necessarily give us comfort.

The odds are stacked against Michelle Williams in the new film “Showing Up.”

Director Davy Chou’s second movie is an adoption story for an age of ambivalence.

Films from Charlotte Wells and Lukas Dhont aim for intimate, almost imperceptible moments of connection rather than a grand affirmation.

Is “Infinity Pool” too Cronenbergian?

The election denial propaganda film was praised by the likes of Donald Trump and Marjorie Taylor Greene—and utterly tanked at the box office.

Stephanie LaCava’s novel and David Cronenberg’s film “Crimes of the Future” each imagine a world without pain.

In a new film about the Harvey Weinstein exposé, the protagonists argue that the problem is the system, not one man in particular. The movie itself ignores the lesson.

“Our America” presents a mournful, terrible, exhilarating, and honest tour of the United States.

In Ruben Östlund’s satire, the amusements of the moneyed elite belie a foundation of violence, cowardice, and shame.

In Amazon’s take on The Lord of the Rings, the hero is a fanatic, ceaselessly seeking out potential threats.

The internet demands that women project desirability—at a level formerly reserved for movie stars.